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om its reaction to a simple beam of sunlight。
everything is gathered by him as part of an altering harmony。 he sees her in differing hours and locations that alter her voice or nature； even her beauty； the way the background power of the sea cradles or governs the fate of lifeboats。
they were in the habit of rising with daybreak and eating dinner in the last available light。 throughout the late evening there would be only one candle flaring into the darkness beside the english patient； or a lamp half filled with oil if caravaggio had managed to forage any。 but the corridors and other bedrooms hung in darkness； as if in a buried city。 they became used to walking in darkness； hands out； touching the walls on either side with their fingertips。
“no more light。 no more colour。” hana would sing the phrase to herself again and again。 kip’s unnerving habit of leaping down the stairs one hand halfway down the rail had to be stopped。 she imagined his feet travelling through air and hitting the returning caravaggio in the stomach。
she had blown out the candle in the englishman’s room an hour earlier。 she had removed her tennis shoes； her frock was unbuttoned at the neck because of summer heat； the sleeves unbuttoned as well and loose； high up at the arm。 a sweet disorder。
on the main floor of the wing； apart from the kitchen； library and deserted chapel； was a glassed…in indoor courtyard。 four walls of glass with a glass door that let you into where there was a covered well and shelves of dead plants that at one time must have flourished in the heated room。 this indoor courtyard reminded her more and more of a book opened to reveal pressed flowers； something to be glanced at during passing； never entered。
it was two a。m。
each of them entered the villa from a different doorway； hana at the chapel entrance by the thirty…siteps and he at the north courtyard。 as he stepped into the house he removed his watch and slid it into an alcove at chest level where a small saint rested。 the patron of this villa hospital。 she would not catch a glance of phosphorus。 he had already removed his shoes and wore just trousers。 the lamp strapped to his arm was switched off。 he carried nothing else and just stood there for a while in darkness； a lean boy； a dark turban； the kara loose on his wrist against the skin。 he leaned against the corner of the vestibule like a spear。
then he was gliding through the indoor courtyard。 he came into the kitchen and immediately sensed the dog in the dark； caught it and tied it with a rope to the table。 he picked up the condensed milk from the kitchen shelf and returned to the glassroom in the indoor courtyard。 he ran his hands along the base of the door and found the small sticks leaning against it。 he entered and closed the door behind him； at the last moment snaking his hand out to prop the sticks up against the door again。 in case she had seen them。 then he climbed down into the well。 there was a cross…plank three feet down he knew was firm。 he closed the lid over himself and crouched there； imagining her searching for him or hiding herself。 he began to suck at the can of condensed milk。
she suspected something like this from him。 having made her way to the library； she turned on the light on her arm and walked beside the bookcases that stretched from her ankles to unseen heights above her。 the door was closed； so no light could reveal itself to anyone in the halls。 he would be able to see the glow on the other side of the french doors only if he was outside。 she paused every few feet； searching once again through the predominantly italian books for the odd english one that she could present to the english patient。 she had e to love these books dressed in their italian spines； the frontispieces； the tipped…in colour illustrations with a covering of tissue； the smell of them； even the sound of the crack if you opened them too fast； as if breaking some minute unseen series of bones。 she paused again。 the charterhouse of parma。
“if i ever get out of my difficulties；” he said to clelia； “i shall pay a visit to the beautiful pictures at parma； and then will you deign to remember the name： fabrizio del dongo。” caravaggio lay on the carpet at the far end of the library。 from his darkness it seemed that hana’s left arm was raw phosphorus； lighting the books； reflecting redness onto her dark hair； burning against the cotton of her frock and its puffed sleeve at her shoulder。
he came out of the well。
the three…foot diameter of light spread from her arm and then was absorbed into blackness； so it felt to caravaggio that there was a valley of darkness between them。 she tucked the book with the brown cover under her right arm。 as she moved； new books emerged and others disappeared。
she had grown older。 and he loved her more now than he loved her when he had understood her better； when she was the product of her parents。 what she was now was what she herself had decided to bee。 he knew that if he had passed hana on a street in europe she would have had a familiar air but he wouldn’t have recognized her。 the night he had first e to the villa he had disguised his shock。 her ascetic face； which at first seemed cold； had a sharpness。 he realized that during the last two months he had grown towards who she now was。 he could hardly believe his pleasure at her translation。 years before； he had tried to imagine her as an adult but had invented someone with qualities moulded out of her munity。 not this wonderful stranger he could love more deeply because she was made up of nothing he had provided。
she was lying on the sofa； had twisted the lamp inward so she could read； and had already fallen deep into the book。 at some point later she looked up； listening； and quickly switched off the light。
was she conscious of him in the room？ caravaggio was aware of the noisiness of his breath and the difficulty he was having breathing in an ordered； demure way。 the light went on for a moment and then was quickly shut off again。
then everything in the room seemed to be in movement but caravaggio。 he could hear it all around him； surprised he wasn’t touched。 the boy was in the room。 caravaggio walked over to the sofa and placed his hand down towards hana。 she was not there。 as he straightened up； an arm went around his neck and pulled him down backwards in a grip。 a light glared harshly into his face； and there was a gasp from them both as they fell towards the floor。 the arm with the light still holding him at the neck。 then a naked foot emerged into the light； moved past caravaggio’s face and stepped onto the boy’s neck beside him。
another light went on。
“got you。 got you。” the two bodies on the floor looked up at the dark outline of hana above the light。 she was singing it； “i got you； got you。 i used caravaggio—who really does have a bad wheeze！ i knew he would be here。 he was the trick。” her foot pressed down harder onto the boy’s neck。 “give up。 confess。” caravaggio began to shake within the boy’s grip； sweat already all over him； unable to struggle out。 the glare of light from both lamps now on him。 he somehow had to climb and crawl out of this terror。 confess。